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liszt piano transcriptions eliana grasso

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liszt piano transcriptions eliana grassoLiszt Piano Transcriptions (CVLD339) Eliana Grasso Available in: HD Files, CD L. van Beethoven F. Liszt 1 Allegretto from Symphony No. 7 in A major Op. 92 (S. 464), 10: 10 F. Schubert F. Liszt 2 Gretchen am Spinnrade (S. 558), 4: 39 3 Serenade (S. 560), 6: 15 G. Verdi F. Liszt 4 Sacred Dance and final duet from Aida (S. 436), 11: 13 F. Chopin F. Liszt 5 Mdchens Wunsch, from Six chants polonais( S. 480), 4: 19 6 Frhling, from Six chants polonais (S.

Liszt Piano Transcriptions (CVLD339)

Eliana Grasso

Available in: HD Files, CD

L. van Beethoven - F. Liszt
1 - Allegretto from Symphony No. 7 in A major Op. 92 (S. 464), 10:10
F. Schubert - F. Liszt 
2 - Gretchen am Spinnrade (S. 558), 4:39
3 - Serenade (S. 560), 6:15
G. Verdi/F. Liszt
4 - Sacred Dance and final duet from Aida (S. 436), 11:13
F. Chopin - F. Liszt
5 - Mädchens Wunsch, from “Six chants polonais”( S. 480), 4:19
6 - Frühling, from “Six chants polonais” (S. 480), 2:40
R. Schumann - F. Liszt
7 - Widmung (S 566), 4:33
F. Liszt
8 - Mephisto Waltz No. 1, piano version by the composer (S. 514), 12:35
 
Total Time: 56:31


24bit / 88.2kHz original recording made at Laboratorio Zanta, Camponogara, Italy, on November and December 2021
Eliana Grasso plays on Steinway & Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta
 
Production: VELUT LUNA
Executive Producer: Marco Lincetto
Musical producer: Eliana Grasso
Recording, mix and mastering: Marco Lincetto
Editing: Mattia Zanatta
Cover photo: Marco Lincetto
Design and layout: L'Image

Critical Notes
Given the vast catalogue of compositions written by Franz Liszt intended to enrich the 19th-century piano repertoire, one finds a greater number of works based on the creations of other composers compared to genuinely original pieces. The various arrangements, written throughout the composer's career, fall into two categories according to Liszt's own precise wishes, who made the initial terminological distinction: on the one hand, transcriptions, which are piano adaptations where the original score remains largely unaltered; on the other hand, paraphrases, true exercises in style where the composer takes the liberty of varying the source text, bending it to his own creative whim. Although they have often been subjected to harsh criticism by some exponents of early 20th-century musicology (see Humphrey Searle's comment, responsible for the systematic cataloguing of Liszt's works: «he may have wasted much time on some of these transcriptions, but at least they provided an outlet for his overflowing energy,» The Music of Liszt, London 1954), the arrangements produced by the Hungarian composer contributed to the dissemination and promotion of the music of numerous authors.

ELIANA GRASSO
Eliana Grasso, pianist, performs in concerts throughout Europe and the United States in renowned venues such as Carnegie Hall in New York, Wigmore Hall in London, Sala Verdi in Milan, the Royal Academy of Music in London, the Hermitage in St. Petersburg, Theatre La Filature in Mulhouse, Sala Maffeiana of the Teatro Filarmonico in Verona, Teatro Sociale in Bellinzona, Cappella Paolina of the Quirinale in Rome, Bloomsbury Theatre in London, Salon Chopin (Société Historique Polonaise) in Paris, Palazzo Ducale in Mantua, Teatro Piccolo Regio in Turin, and many others.
She debuted in 1994 performing Haydn's Concerto in D major, conducted by Luca Pfaff with the Mulhouse Symphony Orchestra, receiving great public and critical acclaim ("Eliana Grasso: still young and already so great", l'Alsace, March 1994) with numerous orchestras such as the Orchestra Magister Harmoniae, the Orchestra Piccolo Auditorium Paradisi, the Orchestra of the Teatro Filarmonico of Verona, conducted among others by Piero Bellugi. She regularly performs as a soloist and in chamber ensembles for the most important Italian music seasons such as: MITO Settembremusica (Turin), Società dei Concerti (Milan), Società del Quartetto (Milan), Unione Musicale (Turin), Trame Sonore (Mantua), I Concerti del Quirinale (Rome), Polincontri (Turin), Rivolimusica, I Concerti dell’Università della Tuscia (Viterbo), Milano Classica, I Concerti del Pomeriggio del Teatro Alfieri (Turin), Fondazione William Walton (Naples), Settembre Musicale Orta (Novara), Ravello Concert Society (Naples), Concerti a Palazzo Labia (Venice), Teatro Torti (Bevagna). She has also performed in Norway, Russia, the United States, France, Switzerland, Spain, England, and Romania.
She regularly collaborates in a duo with flutist Romano Pucci (first flute, Teatro alla Scala in Milan), in four hands and two pianos with pianist Irene Veneziano, and explores the lieder repertoire with soprano Susanna Rigacci. She has won numerous competitions: at 13, she placed third overall in the International Competition of St. Petersburg, and since then has won first prize in countless Italian competitions: Stresa, Premio J.S. Bach, Premio Kawai, Premio Clementi, and many others. More recently, in 2014, she was the overall winner of the International Bellagio Festival Competition.
Her concerts have been broadcast live by radio stations such as Rai Radiotre; she was recently a guest on the program "Il Pianista" on Radio Classica. For the Velut Luna label, she has already recorded "Sortilèges" with music by Ravel and Saint-Saëns in a duo with I. Veneziano ("the two musicians become a single organism and express all the charm of this music" Suonare, 2015).
She graduated with highest honors from the "G. Verdi" Conservatory in Turin, and was awarded the "Lascito Piacenza" scholarship for the best final examination. She continued her studies at the "Incontri con il Maestro di Imola" Academy, where she studied with F. Scala, R. Risaliti, P. Masi. She also specialized with K. Bogino, E. Arciuli, P. Badura-Skoda, M. Damerini, A. Lucchesini, S. Gadžijev, J. Swann, P. De Maria, L. Pogorelich. Alongside her concert activity, she worked as a teacher and stable collaborative pianist at the Accademia del Teatro alla Scala in Milan from 2010 to January 2021. She currently teaches Piano Practice and Reading and Piano at the "Franco Vittadini" Conservatory in Pavia.

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SKU: 79278632673

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Reviewed in the United States on May 6, 2026
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Love2Read
New York, US
★★★★★ 5
A Charming Historical Cozy Mystery
Format: Audiobook
Lady Hardcastle and her companion Florence Armstrong, have moved to the country. They think they’ll find a quiet life, but almost as soon as they set foot into the area, things start happening. Before they know it, they’re involved in helping to investigate two very different murders. They have some previous experience with such things, but will the constabulary take them seriously? I mean, they are women, after all; what cam they possibly know about such things?. This was a charming cozy mystery, and I can’t wait to listen to more books in this series. The writing was top notch, and the characters a delight. The plot was beautifully developed and executed. All in all, this was a jolly good read. I really enjoyed learning some of the backstory for Lady Hardcastle and Flo. I listened to the Audible audiobook of A Quiet Life in the Country. I thought it was remarkably well narrated. Truly, I look forward to learning more about Lady Hardcastle, Flo, and their new friends and associates. I purchased a copy of this audiobook from Audible or Amazon. I can’t remember which. In any case, all opinions in this review reflect my true and honest reactions to reading this book.
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Reviewed in the United States on February 8, 2024
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Cathy G. Cole
Lowell, US
★★★★★ 4
What a delight to read!
Format: Kindle
I'm not quite sure what I expected when I plunked down my money and downloaded A Quiet Life in the Country. A modern variation of the Golden Age country house mystery? If that was it, I didn't get it. What I did wind up getting was a whole lot more. I will warn you ahead of time: if you are a fan of those classic mysteries, T.E. Kinsey's book may not be your cup of tea, and now I'll set about telling you why. Kinsey has written a good, puzzling, multi-layered mystery that gives you a real feel for village life out in the English countryside at the turn of the last century. While the plot and the setting are first-rate, it's Kinsey's characters that make this book shine-- and what makes the book turn away from those classic mysteries. Inspector Sunderland moves from being a stereotype to being someone rather special, which I always love to see (being sick to death of incompetent policemen in the books I read). Lady Emily Hardcastle's background is very mysterious indeed, and I hope it takes several books to have all the details teased out for us to see. However, it is the relationship between Lady Emily and Florence that is the pièce de résistance of A Quiet Life in the Country. Their dialogue is so full of mutual admiration, wit, and humor that it is, quite simply, a delight to read. As Sunderland witnesses one such conversation, he asks, "Are you two a music hall act?" and you have to admit that he has a point. (If they were a music hall act, I'd pay to see them.) If you're in the mood for something that's light and fun, something that teases your brain, takes you to the English countryside of a century ago, and makes you laugh, have I got a recommendation for you: T.E. Kinsey's A Quiet Life in the Country. I'm on to the second book!
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Reviewed in the United States on March 6, 2017
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The Irregular Reader
Houston, US
★★★★★ 3
are looking to settle in to the nice, quiet
Format: Paperback
Welcome to Littleton Cotterell,a small village in Glouchestershire. The year is 1908, and Lady Emily Hardcastle and her intrepid maid, Florence Armstrong, are looking to settle in to the nice, quiet, retired life after several years spent adventuring around the world. Naturally, such plans are always disrupted. In this case, the two women discover a dead body hanging from a tree while out on a morning walk. The death is meant to appear as a suicide, but certain inconsistencies seen to point more towards murder. With the local constabulary over their heads, Lady Hardcastle and Flo must draw on their previous experiences to solve the murder before anyone else gets hurt. The mystery goes off in fairly expected fashion, with the eccentric and kindly Lady Hardcastle relying on her witty and resourceful maid. There are suspicious characters and red herrings aplenty. And, naturally, the initial mystery gets wrapped up in several others in the course of the book. I will say this for A Quiet Life in the Country: it does not take itself too seriously. The usual tropes of the cozy mystery are addressed with a wink and a nudge (such as one character explaining to Lady Hardcastle that the tiny, 30 person village she just moved to is actually the murder capital of the country). I appreciate the effort made to acknowledge all the commonly used bits that go into a cozy murder mystery, and it certainly helped to dispel a feeling of deja vu. In all, if you’re looking for a nice, quick mystery with not one but two strong female leads, you could do far worse than to join Flo and Lady Hardcastle on their adventures. A free copy of this book was provided via Goodreads Givaways in exchange for an honest review. A Quiet Life in the Country is currently available for purchase (and, at the time of this writing, free via Kindle Unlimited).
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Reviewed in the United States on November 23, 2016

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