SKU: 78917344630

fil rouge lucia minetti

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Description

fil rouge lucia minettiFIL ROUGE (CVLD285) Lucia Minetti, voice Andrea Zani, piano Ensemble La Foule 1 Non, rien de rien (Michel Vaucaire Charles Dumont) 3: 20 2 Mon homme (My man) (Albert Willemetz & Jacques Charles Maurice Yvain) 3: 46 3 Avec le temps (Lo Ferr) 4: 14 4 Tous les visages de lamour (She) (Charles Aznavour Herbert Kretzmer) 5: 25 5 Ne me quitte pas (If you go away) (Jacques Brel) 4: 30 6 La mer (Somewhere beyond the sea) (Charles Trenet) 4: 47 7 Jardin dhiver

FIL ROUGE (CVLD285)

Lucia Minetti, voice / Andrea Zani, piano / Ensemble “La Foule”

1 Non, rien de rien (Michel Vaucaire-Charles Dumont) 3:20
2
Mon homme (My man) (Albert Willemetz & Jacques Charles-Maurice Yvain) 3:46
3 Avec le temps (Léo Ferré) 4:14
4 Tous les visages de l’amour (She) (Charles Aznavour-Herbert Kretzmer) 5:25
5 Ne me quitte pas (If you go away) (Jacques Brel) 4:30
6 La mer (Somewhere beyond the sea) (Charles Trenet) 4:47
7 Jardin d’hiver (Benjamin Biolay-Karen Ann) 3:33
8 Chanson des vieux amants (Jacques Brel) 4:15
9 Je ne sais pas dire je t’aime (Barbara) 4:55
10 Le tourbillon de la vie / La vie s’envole (Serge Rezvani) 2:51
11 Litanies pour un retour (Jacques Brel) 2:50
12 La foule (Michel Rivgauche-Angel Cabral) 3:35
13 India song (Marguerite Duras-Carlos D’Alessio) 3:38
14 La vie en rose (Edith Piaf-Louiguy) 4:13
15 Milord (Georges Moustaki-Marguerite Monnot) 5:28
Total Time 61:29


Production Velut Luna
Executive producer Marco Lincetto
Musical producer and editing Mattia Zanatta
Recording, mix and mastering Marco Lincetto
Design Limage

Front and back cover photos by Massimo Forchino
Inside booklet:
Lucia Minetti photos by Daniele Bricalli
Oscar del Barba photo by Alberto Reina
Andrea Zani photo by Tommaso Ferigo
Ensemble on stage photos by Marco Lincetto

Andrea Zani, piano (tracks 3,5,7,9,10,11,13,14)

Ensemble “La Foule” (tracks 1,2,4,6,8,12,15)
Cecilia Franchini, orchestra leader and piano
Elio Orio, first violin
Francesco Mardegan, second violin
Francesca Marino, viola
Veronica Nava Puerto, cello
Giancarlo Pavan, doublebass
Salvatore Baronilli, clarinet
Mattia Marangon, horn
Lucrecia Fernandez, bassoon
Riccardo Nicolin, percussions

Lucia Minetti returns to enchant with her unique, elegant, and sensual voice in her new album that speaks of love. A soft, multifaceted, sweet, and intense story told on the tip of the lips. A thrilling album in the most authentic sense of the word, rich in charm, lyricism, and intense evolutions from a great interpreter of the Italian scene.

Lucia Minetti is a highly esteemed singer for her great quality and elegance, artistic sensitivity, and the magical timbre of her voice. She is the preferred soloist of great jazz, classical, contemporary, and singer-songwriter composers, theater directors, and renowned writers who have dedicated music and lyrics to her. Lucia Minetti bases her artistic interests on the song form. Seamlessly bridging classical and popular music, she redefines an intense and charming interpretation of the singer-songwriter genre, cadencing melodies, lyrics, and vocal evolutions with highly personal and significant new ideas.


In my opinion, the deceptive dichotomy of Classical Music vs. Popular Music, including the so-called "canzone d'autore" (singer-songwriter music) in the latter, is entirely ineffective in describing Music in a phenomenological sense. Reasoning in opposites, it is much more indicative to contrast beautiful Music with ugly music, identifying the latter as boring, stereotypical, conventional, and so on. It is not enough to have been born in the 18th century to be considered an interesting author who contributed to the history of this art; so much, indeed, a great deal of music from that period has been granted the gift of oblivion in the interest of modern enthusiasts. "Resurrection" operations of supposed forgotten masterpieces often appear to be inspired by merely musicological or philological, and thus scientific, rather than broadly artistic intentions. This CD, however, aims to re-propose a truly precious repertoire of great artistic and emotional impact, that of the 20th-century French Chansonniers, a very well-defined musical genre fully placed in the History of Music because it is capable of giving, in a unique way, the sense of living a bohemian, wandering, rootless, nonconformist, and free dimension. There is also a political element in the Chansonniers, of observation and criticism of people, society, and authorities, always expressed with a poetic style (cit. M. Priore) for which many observers have gone so far as to affirm that, precisely thanks to the Chansonniers, the youth revolt of '68 could first take place only in France. I believe that this beautiful CD, in addition to delighting the educated palates of numerous fans of French "canzone d'autore," can inspire young generations, never more at risk of homologation than today, on how to seek and find a new sensibility, a renewed taste for life, and the awareness that "freedom is participation." A sincere applause to Lucia Minetti, at this moment undoubtedly one of the best interpreters of "canzone d'autore" globally, and a proud thank you to the teachers and students of the "C. Pollini" Conservatory in Padua who contributed with great refinement and musicality to the realization of Fil Rouge.
Leopoldo Armellini, Director of the C.Pollini Conservatory in Padua

First of all, I want to thank Marco Lincetto and Leopoldo Armellini for making this work possible. Andrea Zani, a musician (and person) of great value and talent, the musicians of the Pollini Conservatory in Padua, extraordinary new travel companions. Oscar Del Barba for his generosity and sensitivity in writing. Stefania Marchesi for her precious help. Massimo Forchino, Daniele Bricalli, Tommaso Ferigo, Alberto Reina for their contribution. And above all, I thank Christian and our little Leo, who are always a source of inspiration and emotion for me. This album is dedicated to them both."
Lucia Minetti

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SKU: 78917344630

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Kalen Wodraska
Battle Creek, US
★★★★★ 1
Beautiful, but doesn’t last
Color: 9910: All black
It’s beautiful, but does not last. Purchased as a gift for my husband and it stopped working altogether and wasn’t able to be wound after a few weeks. We returned it. He really missed having it so we ordered a new one, hoping to have better luck. This one lasted a few months but the needle for then”Day of the week” has since fallen off today. Very disappointing.
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Reviewed in the United States on February 8, 2026
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Lo recomiendo
Cuba, US
★★★★★ 5
Recomendado
Color: 6638: Gold band & Green dial
Excelente! Me gustó mucho y si cumplió con mis expectativas
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Reviewed in the United States on April 4, 2026
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Solennyperez
Omaha, US
★★★★★ 5
Exelente
Color: 6638: Gold strap & Blue dial
Ha salido muy bueno
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Reviewed in the United States on April 8, 2026
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@photobrow
Cuba, US
★★★★★ 5
Compared to g-shock?
Color: Black/Yellow
Firstly random public reviews can be comical…”it’s has a battery, terrible, One star” or “I don’t like yellow, one star” omg peoples do better. I’ll review this while comparing to an older style of g-shock from the same era. I’ll start by saying this timex rocks, for me in my mid 50’s it’s so retro and nastalgic, brings back memories, I may have even owned this model back in the day. What’s great about it- the display, larger digits than the typical g-shock and they are super crisp, clear and easy to read. The indiglo is awesome. This is the most accurate quartz watch I have aside from the atomic g-shocks that adjust themselves daily. I prefer a chunky watch and the g-shocks do a better job in that department. i feel this watch is rugged, but I’d still give the nod to g-shock in this department. 200M water resistance is the gold standard and this watch has it which I love for peace of mind for any water based activities. This is a 5 star watch at a great price. I still love some aspects of a g-shock better but its just preference.
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Reviewed in the United States on February 11, 2026
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Tanya
Carnegie, US
★★★★★ 5
Everybody loved the high-tech style and amazing functionality
Color: Black/Yellow
I'm not a Timex fanboy, and I've had my fair share of problems with the Expedition line, so this review is my honest opinion as a man who's worn Armitrons and Timexes since I was 10. I remember in 1992 when the Timex Ironman Triathlon with Indiglo was first launched - My older brother got one, then me and my neighbor friends. Everybody loved the high-tech style and amazing functionality. Even Bill Clinton was rock'n this watch, for those who don't remember. Quite simply, this is the perfect watch at a great price, in my opinion. Perfect as a gift for any man, and I think the original black/olive drab/yellow coloration is still the coolest. In this day and age of smartphones, it still pays to have this watch. The alarm is less annoying sounding than a cellphone, and doesn't wake up the entire house. To turn it off, just tap the watch, no more reaching for the phone or alarm clock. Timer comes in handy for anything; timing my kids' timeouts when they get in trouble, 15 minutes room clean-up times, etc. Chrono is fun for anything you wanna use a stop-watch for. I set the second time zone for Vietnam time. It really is a million times easier to use this watch for all of its functions than reaching for a smartphone or alarm clock, etc. If you;ve been relying on your phone for a few years as a watch/chronograph/timer/alarm - you'll be so glad you finally got a watch like this. I've never tried a smart-watch, however I feel those are not as necessary,durable or practical as a real watch. Other Timex watches I've used were freakin' trash - couldn't throw em away fast enough. Might as well open the box while holding it over a trash can, so the watch can fall right in when you open the box. That's my experience with the Expedition line-up. Back to this watch: The only thing I wish this watch could do is measure activity thermogenesis (calories expended throught the day) or work as a pedometer, which some smart-watches and other devices can do. I also cannott decide if I like this new, slightly larger, heavier/thicker design of the Ironman Triathlon over the 1990s design. The 90s models styling was "tight to death'. Star-split buttons were seperated. The mode button was yellow. Overall more compact and bi-cultural;by that I mean it looked great as an athletic watch or a politician, business man wathc. This new model is bigger, better ingress/shock resistance, and more of an athletic style over all, and is a little less colorful. I almost went with the G-shocks, but they still just look like crap and are waay to expensive. Sure, they have some better features, can survive WWIII, but I am a traveler. I need a watch that can work in the dark in any environment. The G-shocks are often using some kind of solar battery crap and rely on cathing a signal from an American automic clock in Colorado - good luck with that while your in Thailand on vacation.
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Reviewed in the United States on December 31, 2016

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